New Zealand Net Radio plays a song from our #albumoftheweek every hour from 9am to 12pm Monday to Friday. Listen in @tunein at https://tunein.com/radio/New-Zealand-Net-Radio-s305138/
Filled with great outtakes, demos and live versions, we’re looking forward to this sad retrospect of this great man’s talent this week.
Every weekday between 1 and 5pm we play tracks from our #spotlightartist. They’re an artist with a body of work which has stood the test of time. We’ll play the hits – but also some deep cuts. Listen ad-free through New Zealand via @tunein at https://goo.gl/VL6m3NS
Fleetwood Mac are a massive group with a huge body of work. This week we’re going to focus in on a particular aspect – Stevie Nicks’ vocals with the group. Nicks joined the group in late 1974. After several personnel changes Mick Fleetwood had invited Lindsey Buckingham to join the group – he agreed on condition that his then girlfriend Stevie could as well. The rest as they say is history – the ensuing album Fleetwood Mac broke the band through to mainstream success and sold over 5 million copies. We’ll enjoy some of the big hits such as “Rhiannon” but also some great album tracks such as “Storms” and “That’s Alright” this week.
New Zealand Net Radio plays a song from our #albumoftheweek every hour from 9am to 12pm Monday to Friday. Listen in @tunein at https://tunein.com/radio/New-Zealand-Net-Radio-s305138/
We loved Christine and the Queens’ first album a few years ago, and the singles already out for this new effort are remarkable as well. The full album is worth a listen. Unusually we agree with Pitchfork‘s gushing review. It gets into detail about the courage and creativity of her gender crossing persona. We just think its a great collection of music, especially “Girlfriend”, “5 Dollars” and “Doesn’t Matter”. See what you think.
Its Friday so its time for five brand new tracks to get their first spin on the hour every hour from 9am. We’ll keep playing these tracks on New Zealand Net Radio, home of streaming radio ad free 24/7 throughout New Zealand.
Every weekday between 1 and 5pm we play tracks from our #spotlightartist. They’re an artist with a body of work which has stood the test of time. We’ll play the hits – but also some deep cuts. Listen ad-free through New Zealand via @tunein at https://goo.gl/VL6m3NS
Sheryl Crow started out in the late 1980s singing jingles and supporting Michael Jackson on his “Bad” tour. After a scrapped album in 1992 she joined an ad hoc group of musicians known to themselves as the “Tuesday Music Club”.
Sheryl Crow in 2008
Her first album to be released, Tuesday Night Music Club gradually drew attention, with “All I Wanna Do” becoming an unexpected smash hit in 1994. Other great singles like “Strong Enough” and “Can’t Cry Anymore” led the album to sell 7 million copies, and resulted in her winning several Grammy Awards. Follow up albums Sheryl Crow and The Globe Sessions were huge hits. She also began acting. Although her music since hasn’t been as commercially successful as her 1990s work, she has a great songbook. We look forward to checking out many of her essential tracks this week.
New Zealand Net Radio plays a song from our #albumoftheweek every hour from 9am to 12pm Monday to Friday. Listen in @tunein at https://tunein.com/radio/New-Zealand-Net-Radio-s305138/
Stephen Erlewine describes this album as “an impassioned collection that spins his signature sounds into something stirring and, at times, incandescent”. This is a positive and much anticipated album four years on from Strut.
Every weekday between 1 and 5pm we play tracks from our #spotlightartist. They’re an artist with a body of work which has stood the test of time. We’ll play the hits – but also some deep cuts. Listen ad-free through New Zealand via @tunein at https://goo.gl/VL6m3N
With a changing lineup, The Byrds evolved through the late sixties, always remaining true to a core folk rock sensibility. Formed in 1964 by Jim McGuinn, Gene Clark, David Crosby, Chris Hillman and Michael Clarke, Jim (known as Roger McGuinn from 1967) was the only constant in the lineup through to the end in 1973. Their first album Mr Tambourine Man combined folk influences with the sound of the British Invasion, and the title track was one of my favourite songs when I was young (played on classic hits radio frequently). They evolved however, pioneering psychedelic rock sounds then country rock. This week we’ll enjoy tracks from right through their varied career.
New Zealand Net Radio plays a song from our #albumoftheweek every hour from 9am to 12pm Monday to Friday. Listen in @tunein at https://tunein.com/radio/New-Zealand-Net-Radio-s305138/
“Macca’s back in the groove” proclaimed The Guardian. Certainly this album contains a number of cracking tracks. Any older artist working with Ryan Tedder (OneRepublic etc) seems to attract immediate fire, presumably for trying to be contemporary. Paul however has always incorporated ‘of the moment’ influences as a rock and pop artist, while remaining true to his core sound as well. This collaboration produces a great catchy tune (“Fuh You”) however its joined by a number of other great tracks including “I Don’t Know”, “Come On To Me”, “Dominoes” and “Back In Brazil” amongst others. We look forward to checking out the album through the week.
Every weekday between 1 and 5pm we play tracks from our #spotlightartist. They’re an artist with a body of work which has stood the test of time. We’ll play the hits – but also some deep cuts. Listen ad-free through New Zealand via @tunein at https://goo.gl/VL6m3N
Ben Howard is a talented British indie artist. Hard to categorise, we loved his recent album Noonday Dream and decided to feature his work this week. We’ll explore Noonday Dream as well as tracks from his debut album Every Kingdom, EP The Burgh Island and 2014’s I Forget Where We Were.
New Zealand Net Radio plays a song from our #albumoftheweek every hour from 9am to 12pm Monday to Friday. Listen in @tunein at https://tunein.com/radio/New-Zealand-Net-Radio-s305138/
British folk artist Passenger (aka Mike Rosenberg) takes us on a road trip through America. Perhaps more of the same, but a pleasant sounding album none the less.